Consciousness | Without a Net

November 5, 2018

In the Shadows

Stained glass shadows

An article titled, “Me and My Shadow” by teacher and writer Sally Kempton brought to mind how my Without a Net project is an option to spiritual bypassing.

I’ve always been mystified by the people who believe in the put-on-a-happy-face philosophy of life. Sayings like “the past is the past—move on” or “snap out of it” or “cheer up” have never been helpful for the navigation of problems. In fact, they could be considered a little cruel. They ask that you quit being yourself in the moment and act like someone else thinks you should. People who say these things are really saying, “I’m nervous about your hard feelings, so I’m going to demand that you stop making me uncomfortable.” These people are actually uneasy about their dark side and unskilled at expressing it.

Spiritual bypassing has become more common as a term for skipping over our ugly parts with the use of meditation, prayer, or positive thinking. The result is a lack of engagement with our whole self, and an inevitable rebound of ugliness when the concealed issues resurface. In simple words, if we don’t deal with our crap, it will come back to bite us.

October 16, 2018

Without a Net Cards

Over 10 years I’ve created 55 paintings in the Without a Net series, and last month I finally had the images made into a deck of cards. It was a marvelous and overwhelming moment to hold all that work in my hands for the first time. I had ideas for the deck, but the intentions […]

September 8, 2018

Looking on Thee in The Living

16″ x 20″ Oil on Board 2015

I’ve always looked up to dead people. As a lifelong fan of history I’ve felt small and insignificant compared to the pantheon of superstars from all walks of life, whose names and stories are remembered through the ages. I’ve counted as my heroes the ones who made the biggest impact on humanity and our planet. There was a bit of torment in my fanhood. I painted this piece when I kept coming up against the unpleasant reminder that, as enormous as these giants of yesteryear were, they are now gone, and I, little old infinitesimal me, am still here. I have the very human longing to make my mark, express myself, offer my voice, and venture forth into making things happen. But I let a meddlesome comparison—me vs. the greatest minds and hearts that ever lived—make me feel like a peon. Its effect left me expecting less of myself, and daunted by the daring task of getting out in the arena.

I chose to paint my historical friends as colorless plaster busts, a certified gesture commending their monumental contributions, but implying that they bought the farm long ago. To represent myself, I wanted a small animal, but a brightly colored one to contrast the blanched figures that dominate the piece. I attended a bird banding a few years ago, where we caught migrating birds for tagging. Holding a Painted Bunting is like tending a little rainbow. They are indescribably bright, and, like most songbirds, light and delicate. I love it when an animal with which I’ve had a close encounter becomes appropriate for my work. The wallpaper is old fashioned, another nod to history.

July 7, 2018

Thy Jewel in Hand

Oil on board 2013 16″ x 20″

Someone once told me that my past was my greatest asset. I took it as a prompt to value my experiences in their ability to give clues on the path of transformation. That said, I hated the saying for a long time. There were plenty of experiences I avoided revisiting, and many things about my past that seemed unfair or too difficult to ever expect to find meaning within. Over time, and with the help of this painting series exploration, I have found my past to be an exceptional—although tough and scrupulous—teacher. The pains of looking back and looking inward were sometimes excruciating, so I painted this piece as an homage to faith—a reminder that I would be OK, no matter what I uncovered in this examination.

My animals are inspired by the archetypes of various religions and cultures, and this one is no exception. I chose the sheep, one of the world’s most obvious symbols of faith, as expressed in Christianity. (For those unfamiliar with this symbolism, Jesus is the Good Shepherd who watches over his flock.) I adorned my sheep-girl in a dress I would have loved when I was a kid. The luxury of blue velvet and the high collar give it a Sunday-going-to-meeting feeling. I drew inspiration for the background from some of the morning walks I take on local public paths near my home. Along the trails sunlight pours through trees to cast shadows on green lawns, which can’t help but start my day with a welcoming greeting. Corny, but heavenly.

In my sheep’s hand is a bloody Band-aid, an emblem of childhood wounds, which she holds almost timidly. This small thing near the bottom of the painting, away from the usual focal center of attention mirrored my trepidation at going forward with this painting/writing project, knowing that my shadow side, my past, my secrets, my mistakes, my doubts, and my blindness would be under the microscope.

This piece embodies an offering. I’m offering myself—the good, bad, and whatever— to my own scrutiny, to whoever wanted to look or listen, to God, to nobody. I didn’t feel proud or brave, just willing.

June 2, 2018

All Frailties That Besiege

Oil on board 2015 16″ x 20″

Sometimes life is so confusing that I assume I’m not seeing reality clearly. I’ve had times when I would label myself as crazy, and I’d feel the shame that accompanies such a classification.

I chose a chimpanzee for my painting because they act zany. I dressed him in a straightjacket because that’s where crazy people can end up. A straightjacket is also a metaphor for constraint. I used to feel incarcerated by the maze of thoughts and feelings that converged when situations and people were beyond what I thought I could handle.

I imagined the cast of a circus would sum up the whole idea of crazy with its outlandishly costumed characters and their variety of exaggerated body sizes. What a joy it was portray the clowns and weirdos! I kept the background a monochrome blue to relegate their presence to a dreamlike haze of sameness. They are presumably an influence on the monkey’s craziness, but he stands out on his own as being the main-event nut. (Excuse my use of these politically incorrect words for mental instability. I’m not meaning to be dismissive of real mental illness. I’m using offhand lingo to vaguely sum up a felt state.)

May 19, 2018

Embody Creativity

Join Dori for her next Creativity and Awareness Workshop at Embody Practice Center, Birmingham, AL. Held Saturday, July 28, 2018, this day of gentle introspection and creative exercises in various media will be the best way to take a break from the heat. Embody is a yoga center, and will offer opportunities for diverse […]

Tag / Consciousness