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Without a Net

Daring Starts From Within

Tag / Creativity

Welcome Everything

In our third Without a Net Creativity Class, our topic was “Welcome Everything,” a call to embrace not only beauty and happiness, but even the aspects of life we’d rather skirt around. To get class going I read out loud the poem, The Guest House, by Rumi, which I’ve posted before. It speaks for itself. […]

Curiouser and Curiouser

For those who think my grammar has gone sour, the post title here is a quote by the Cheshire Cat character in the book, “Alice in Wonderland.” (The topic in this week’s Without a Net creativity class was Curiosity.) The pheasant above seems to be gazing into a looking glass, so we seem to be […]

Creativity Class at Red Dot

To make sure your 2019 gets off to an inspiring start (and keeps momentum) I’m happy to say I’m now offering a regular Without a Net class, much In the spirit of my Without a Net Workshops.  Expand your creative voice and access a deeper connection with yourself and others in this weekly drop-in class. This hour […]

Home From Hambidge

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I spent a two week residency in the breathtaking mountains of north Georgia, writing, painting, hiking, playing guitar, and interacting with other writers and visual artists. This was my first residency. In my long career of making and selling and teaching art, I’d never indulged in this most luxurious of retreats. I will be feeling its effects for a long time.

(The photo above is my studio table.) See my other blog for more images from hikes and such.

A residency is applied for and awarded. I was humbled to be among the other talented artists who enjoyed this time at Hambidge Residency for Arts and Sciences. There were nine artists total, and each of us had our own house and studio, all tucked away in the woods with enough distance from each other to have total privacy. Four evenings a week we’d gather for dinner, where a chef had prepared us a meal. After dinner we would talk about art and writing and sometimes animal horror stories.

I got an enormous amount of painting done. Not that output was my goal. I would have been satisfied with any amount of work, as long as I felt like I was following my creative impulses. But as it happened, I felt compelled to spend up to 12 hours a day at the easel, absolutely ecstatic to have weeks to paint without distraction. I finished a first coat on ten paintings.

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Hambidge Residency

I leave Tuesday for an artist residency at Hambidge Creative Residency Program in North Georgia. A residency is applied for and awarded. For two weeks I will write and paint without distraction due to lack of internet or cell service. I’ll write about my paintings/cards and work on my new body of paintings (to be […]

Pick a Card

Until the Without a Net cards are published, I’m sharing findings gathered from using them in various ways. Check out the new CARD page with details on how to use the cards. One of my favorite uses for the cards is to draw a card every morning and interpret its meaning in the context of […]

What the Cards Are Not

I’ve had people ask me whether the Without a Net Card Deck is a deck of playing cards or a tarot deck. The answer is neither. I’ll explain the differences. Compared to a regular deck of playing cards, WAN cards are larger and contain no numbers, suits, kings, jacks, and the like. WAN cards are […]

Without a Net Cards

Over 10 years I’ve created 55 paintings in the Without a Net series, and last month I finally had the images made into a deck of cards. It was a marvelous and overwhelming moment to hold all that work in my hands for the first time. I had ideas for the deck, but the intentions […]

Looking on Thee in The Living

Bunting

16″ x 20″    Oil on Board     2015

I’ve always looked up to dead people. As a lifelong fan of history I’ve felt small and insignificant compared to the pantheon of superstars from all walks of life, whose names and stories are remembered through the ages. I’ve counted as my heroes the ones who made the biggest impact on humanity and our planet. There was a bit of torment in my fanhood. I painted this piece when I kept coming up against the unpleasant reminder that, as enormous as these giants of yesteryear were, they are now gone, and I, little old infinitesimal me, am still here. I have the very human longing to make my mark, express myself, offer my voice, and venture forth into making things happen. But I let a meddlesome comparison—me vs. the greatest minds and hearts that ever lived—make me feel like a peon. Its effect left me expecting less of myself, and daunted by the daring task of getting out in the arena.

I chose to paint my historical friends as colorless plaster busts, a certified gesture commending their monumental contributions, but implying that they bought the farm long ago. To represent myself, I wanted a small animal, but a brightly colored one to contrast the blanched figures that dominate the piece. I attended a bird banding a few years ago, where we caught migrating birds for tagging. Holding a Painted Bunting is like tending a little rainbow. They are indescribably bright, and, like most songbirds, light and delicate. I love it when an animal with which I’ve had a close encounter becomes appropriate for my work. The wallpaper is old fashioned, another nod to history.

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Thy Jewel in Hand

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Oil on board        2013       16″ x 20″

Someone once told me that my past was my greatest asset. I took it as a prompt to value my experiences in their ability to give clues on the path of transformation. That said, I hated the saying for a long time. There were plenty of experiences I avoided revisiting, and many things about my past that seemed unfair or too difficult to ever expect to find meaning within. Over time, and with the help of this painting series exploration, I have found my past to be an exceptional—although tough and scrupulous—teacher. The pains of looking back and looking inward were sometimes excruciating, so I painted this piece as an homage to faith—a reminder that I would be OK, no matter what I uncovered in this examination.

My animals are inspired by the archetypes of various religions and cultures, and this one is no exception. I chose the sheep, one of the world’s most obvious symbols of faith, as expressed in Christianity. (For those unfamiliar with this symbolism, Jesus is the Good Shepherd who watches over his flock.) I adorned my sheep-girl in a dress I would have loved when I was a kid. The luxury of blue velvet and the high collar give it a Sunday-going-to-meeting feeling. I drew inspiration for the background from some of the morning walks I take on local public paths near my home. Along the trails sunlight pours through trees to cast shadows on green lawns, which can’t help but start my day with a welcoming greeting. Corny, but heavenly.

In my sheep’s hand is a bloody Band-aid, an emblem of childhood wounds, which she holds almost timidly. This small thing near the bottom of the painting, away from the usual focal center of attention mirrored my trepidation at going forward with this painting/writing project, knowing that my shadow side, my past, my secrets, my mistakes, my doubts, and my blindness would be under the microscope.

This piece embodies an offering. I’m offering myself—the good, bad, and whatever— to my own scrutiny, to whoever wanted to look or listen, to God, to nobody. I didn’t feel proud or brave, just willing.

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